---
title: 'The Barbican Estate: Walking Through Lessons Learnt'
teaser: 'Reflecting on the design lessons learned from wandering around the Barbican
  Estate. An honest, beautiful and inspiring example of brutalist architecture in
  the center of London.

  '
tags: design,product design,user experience,inspiration,london
author: Luke Mitchell
published_on: 2018-03-12
---

On my walk to work in London, it's hard to avoid the [Barbican Estate]. I
wander through it almost every day and can see it from the studio windows. It
has become one of my favourite places in the city. The estate was built during
the 1960-70s in an area of London destroyed during World War II. The estate was
a vision of the future, creating an entire community which combined homes with
everything people needed: shops, social spaces, gardens even an art center. The
estate includes raised walk ways which put pedestrians above the street,
separating them. Constructed almost entirely of textured concrete, you may
mistake the estate for being cold, stark, even ugly but it's full of
personality - A fortress that protects you from the busy city.

I sometimes find it helps to get away from my usual sources of inspiration and
look elsewhere. I'm a firm believer that inspiration can come from anywhere,
I've often found that architecture offers plenty of ideas for all kinds of
design. I'm always finding new features in this [Brutalist] masterpiece, so I
walk through a rich source of inspiration every day, it has given me a new
perspective on design. Here are some lessons that I've learned from it.

## Form and function

As a brutalist design the estate is honest, nothing hidden, there is no
metaphor or elongated philosophy behind it, the shape and structure appears in
plain sight. With nothing important removed, but embraced as part of the design,
decoration is minimal at best. Sometimes hiding features behind decoration
is an easy option, for example the [junk drawer] is a common tactic in digital
design for the sake of minimalism or simplicity.

Function isn't everything. We still must leave room for emotion, including joy,
in all aspects of design. In contrast from the bold concrete the estate guards
peaceful parks, ponds, pools and gardens. These features are not always
considered useful or necessary but are important for any living space,
especially urban settings. The estate has taught me that a balance between form
and function is hard to achieve but is not impossible.

<figure>
  <img src="https://images.thoughtbot.com/blog-vellum-image-uploads/CtfGM116Q521NfavYAwv_barbican_1.jpg"
  />
</figure>

## The Barbican language

From outside the estate can look drab, uniform and a little oppressive. Once
inside you start seeing a lot of variation. 42 floor towers stand beside
terraced blocks with rooftop gardens and semi circular windows, homes start as
small flats up to self-contained maisonettes.

You soon start to see common shapes in everything – the same shapes stacked,
rotated, joined and skewed create a diverse collection of buildings. Every
space is a sentence spoken in the same language – constructed of different
words combined in thousands of different ways. Everything is part of the whole.
Variation and individuality are often missing from similar projects, and design
systems of all kinds, but it's something the estate has plenty of. The estate
has taught me that consistency is a craft, not creating the identical, but
creating a tone that speaks for itself.

<figure>
  <img src="https://images.thoughtbot.com/blog-vellum-image-uploads/aOEUuxATQus0gX1hvJmG_barbican_2.jpg"
  />
</figure>

## Embracing constraints

The Barbican was a product of constraints, whether voluntary or otherwise. Like
any construction project budget must have meant that the estate had to make
compromises of some sort. The space allowed for construction helped to describe
the shape and layout of the estate. Brutalism itself is a constraint, the
palette of materials to utilise is small, there is no swatch-book of trendy
colours or adornments to flip through.

I often see similar constraints on projects. Constraints, restrictions and
limitations are sometimes red flags, but the Barbican has taught me that they
can be positive. After years of wandering through the estate, I've come to
realise something. The product of constraints can be a fantastic result, and
that constraints can be a positive challenge, a goal to work towards.

---

While these learnings are a little abstract, I would suggest to anyone that
they look more at the architecture, artifacts, and environments they glance at
every day. Try to find that mix of form and function, the common shapes that
make up a construction, and consider the constraints that have made it possible
to create it in the first place.

[Barbican Estate]: https://en.wikipedia.org/wiki/Barbican_Estate
[Brutalist]: https://en.wikipedia.org/wiki/Brutalist_architecture
[junk drawer]: https://medium.com/@jasonfried/design-decisions-junk-drawers-and-dark-corners-6cd943a60e4b
